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Building
a Professional Writing Portfolio
by Lee
Masterson
Regardless of what type of writing you do, most editors
these days will give more consideration to the work of
those writers who can display at least some form of
verifiable publishing history.
Usually a publishing history will be vaguely summarized
in a query letter, not giving the editor much information
about the specifics of each sale or submission you may
have made, but the fact remains that even small writing
credits can do much to sway an editor's choice of which
writer's work to represent.
This preference for seeing a verifiable writing history
serves several purposes:
1)
- Shows the editor that the author has
worked with submission deadlines successfully.
2) - Proves that the
author is serious about submitting to his specific
publication.
3) - Lets the editor
see what other professional markets have taken a chance
with your work.
4) - Allows the editor
to familiarize himself with the author's prior style.
There are other considerations that come into play as
well, but these are the main factors we'll deal with for
now. Please bear in mind that any form of
self-publication does not actually constitute a
professional writing credit to an editor.
I stressed this last phrase, because I am aware that most
editors consider self-publishing sites as a form of
vanity press and do not officially count publication in
these forums toward a professional writing credit,
despite the fact that there are lots of professionally
researched and presented stories and articles available.
So how does a beginning writer gain those all-important
writing credits? It's actually a lot easier than you
think.
Beginning with the premise that "All editors
need writers", remember that every newsletter,
newspaper, magazine, periodical, publishing house, web
site, radio station, television station and movie studio
would be absolutely nowhere if some writer did not put
pen to paper and WRITE! Without those
writers, editors would be out of a job, and the
newsagent's stands would be empty.
Now that nobody is so intimidated by the big, bad
editors, let's take a look at how to fill that
professional portfolio with published work.
Confidence
This is often the hardest obstacle for new writers to
overcome. Finding the confidence to send your work to a
complete stranger can often delay, or even halt, a
fledgling writing career.
Get online. Check out as many potential markets as you
can find. Create a file for these sources and rate them
as to how difficult or how accepting you would consider
them to be. If you've done even a vague amount of
homework on these, you would begin to realize that some
markets will be relatively easy to crack.
Submit articles to non-paying online sites. These sites
won't make you buckets of money (if any at all!) - unless
you're into major self-promotion - but they will help you
to develop some confidence in your abilities.
Focus on the reader, or even editorial, feedback. You
will soon discover which articles held that 'spark' which
pulled readers in and which articles did not make the
grade. Learn from this and follow your own examples when
you write your next piece. When you are confident in your
ability to give readers something valid, aim a little
wider with your focus.
Start
Small
If you are the type of person who prefers to aim high,
then go right ahead and aim straight for the top paying
markets right off the bat. There's nothing wrong with
that approach at all.
But if you would prefer to see your professional
portfolio grow, and thus ensure that the larger markets
will eventually take you more seriously as a writer, then
begin submitting your work to the smaller markets.
Small press newspapers exist in almost every town in the
world, serving the communities with local news, events,
and trivia. Most of the time, these small press papers
exist on a shoe-string budget, but almost all of them
will gladly accept a submission from a fledgling author.
Offer your work in return for only a by-line (your name
printed below the article or story title).
I am aware that advocating "Writing for no pay"
will bring a round of protests my way, but I am not
suggesting you do it often. You only need to submit this
way for as long as it takes to get that one clipping with
your by-line into your portfolio.
Persistence
and Patience
Submitting any writing to a publication is going to mean
learning the art of patience. Editors are usually busy
people and can often take up to several months just to
send you that much-awaited rejection slip.
Rather than sit back and wait for a response from that
first piece of writing, sit down and immediately create
something else. Then submit THAT, too. While you have
more than once piece circulating the 'submission rounds',
you will find it easier to cope with the waiting game.
When your response from the editor does arrive, you need
to be aware that the envelope in the mailbox could very
well be a rejection. Don't give up - and don't throw the
piece away. Persist - and submit it to another
publication the same day!
Accept
Rejection
Rejection is a way of life for a writer. Even the
all-time greats were rejected at the start of their
careers, and you are no different.
Rejection does not necessarily mean your work is no good.
It may mean the publication or publishing house you
submitted to is filled to brimming at the moment. It
could mean the editor has already blown the budget for
that quarter. It could also mean that some other writer
has already submitted an article or story that is similar
in topic to your own.
Realize that for each rejection you have in your
'rejection file', you are one rejection closer to
receiving an acceptance. File the slip accordingly and
send the article or story back out the same day
.
Expand
your Horizons
Armed with a newfound confidence in your abilities, and a
small list of professional, verifiable writing credits,
you should begin researching larger markets. There are
literally thousands of publications wanting more and more
submissions from writers just like you. So what are you
waiting for?
- 2005 Writer's Markets (Click Here to View Amazon's Reviews) - this is the
must-have book for any writer serious about turning his
or her craft into a career. Contains thousands of market
listings, submission guidelines and more.
- Fiction Factor (http://www.fictionfactor.com/markets.html) - offers heaps of
paying online markets, including markets for fiction,
non-fiction, poetry, contests and anthologies.
- Ralan.com (http://www.ralan.com) - brilliant
market site for fiction writers. Always up-to-date and
filled to brimming with great opportunities for any
writer.
- Writer's Markets (http://www.writersweekly.com) - list hundreds
of current paying print and online markets weekly.
- Literary Market Place (http://www.literarymarketplace.com/lmp/us/index_us.asp) Grab a copy of
this excellent writer's market resource from your
library, or better yet, buy a new copy.
- And if you're still short of places to look for
markets, check out our own resources page (http://www.fictionfactor.com/links.html) - there are
plenty more market listings and writer's pages there for
you to choose from.
Study print magazines and genre periodicals. Even the
women's glossy mags accept freelance articles and short
fiction these days.
Make sure you have a feel for the style of work they
prefer to accept before you submit. List your current
writing credits on a professionally written query letter,
and submit your work.
By this stage you should be seeing those small clippings
beginning to work for you. A non-paying by-line in an
online web-zine could be the step you need to get you
accepted by a large magazine publisher. In turn, that
clip from a magazine publisher could just be enough to
convince an editor to take a chance on a bigger project,
or even your novel.
Good luck with growing your own portfolio!
©
Copyright Lee Masterson. All rights reserved
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