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Dealing
with Discouragement
By Jenna Glatzer
I cant name a single writer whose career has been
without discouragement. Weve all dealt with
rejections, non-responses, bad reviews, losing a contest
we were sure wed win, having someone laugh at us
when we share our career goals...
What sets apart the successful writers from the
unsuccessful ones, in part, is the way we deal with these
discouragements.
Lets take a pretty common scenario. Youve
written something (a novel, screenplay, essay, short
story, poetry collection, whatever) and youve sent
it out ten times. All ten recipients either reject it or
dont respond at all. How do you react?
1. You yell, cry, wallow in pity, eat HoHos, etc.
2. You vow never to write again.
3. You grit your teeth and say, Ill show
them. Theyll be sorry! and begin cranking out
a new masterpiece.
4. You keep sending it out and figuring itll find a
home soon enough.
5. You reread the piece and decide it needs some editing.
Any of those reactions is fine and normal and
appropriate... but those first two are appropriate for a
limited time only.
Those first two reactions are the ones Ive been
thinking about lately. I get letters pretty often from
writers who are down in the dumps over rejections, and
they want me to advise them. What should I
do? theyll ask me. I just want to give
up.
Truth? If you really want to give up-- not just
temporarily as a result of a stinging criticism--
its probably healthier for you to do so.
Thing is, some people are pathological pity-hounds. They
go to other writers and say, Im so
discouraged! I got ten rejections and I think Im
just going to give up because no one wants me
Almost without fail, writers will jump in and say,
Dont give up! Dont ever give up!
They mean well, of course. They want to be encouraging
and caring. But the hard truth is that some people
arent cut out to be writers-- not because of a lack
of talent, but because of an oversensitivity to
discouragement.
See, they go through these cycles. They feel discouraged
by publishers, so they come to fellow writers, who feed
them with encouragement. Then they go back to the
publishers, get discouraged again, and the cycle repeats.
At what point should we encouragers stop bandaging the
problem and let the writer figure out if he or she can
deal with the down-sides of writing?
When someone comes to the point of asking, How long
should I keep sending out this manuscript before I
quit? the answer is usually, Quit now.
Why? Not because the work may never sell-- for all I
know, it could be the hottest best-seller of all times--
but because the writer is already showing battle fatigue.
If youre discouraged before your career even
starts, how will you have the stamina to handle all the
other discouragements that are bound to come your way?
Your editor leaves the house and the new editor wants a
total rewrite, taking out what you think is your
best stuff.
Sales arent great, so the publisher doesnt
want your next book.
Reviews are mixed, and some reviewers call your work
trite and simplistic.
Your agent drops you.
Your book is sitting in the remainder bins in less than
two years.
Someone else comes out with a book just like yours a
month before your books publication date, and
bookstores dont order yours because its too
similar to the one they just stocked.
The media ignores you.
Your publication date gets postponed twice, and your
advance money has run out before the electric bill
arrives.
Mean-spirited people post nasty reviews of your book on
Amazon and elsewhere.
You take a risk and write in a new genre, only to find
out that no one will buy it and youve
wasted six months of your life.
These things happen.
Sometimes I think of that writer whos so
discouraged and worn out after ten rejections that
shes already threatening to quit, and I imagine her
five or ten years down the line. Even if she sells that
book, will she be able to handle all the other
stuff that comes with being a writer?
Hey, we all go through crises of faith over our talents.
We all get down, and most of us contemplate giving up at
some point. The question you need to ask yourself is if
this roller-coaster of emotions and career highs and lows
suits your personality in the long term. Do you usually
feel like giving up? Do you constantly seek outside
assurance? If you knew that in your lifetime, you would
accumulate 1,000 rejections instead of ten, does that
thought make you miserable?
Dont be so self-hating as to stick yourself into a
business that depresses you. If you can imagine those
rejections and tough spots and still believe that
youll be happy with your life and your career
overall, youll be fine. The good should outweigh
the bad. But if it sounds terribly painful, why not keep
writing as a hobby and find a different career goal?
Writing isnt something most of us get into because
we expect to get rich quick, or because we expect to
become household names. We do it because it brings us
creative fulfillment and a sense of accomplishment, and
maybe the lifestyle attracts us. So weigh that against
the disappointments and figure out: Is writing still
making you happy? Is it worth it for you if you have to
fight through the discouragements?
If the answer for you is yes, youll
never have to ask someone if you should quit. Youll
know deep down that you would never quit, no matter how
tough it gets. If the answer is no,
dont prolong your pain. Accomplishing your goals
isnt a good enough payoff if youre going to
be miserable all the way there.
Spend your time doing things that bring you more pleasure
than pain. Whatever you choose to do with your life, if
youve made the right choices, youll never
have to ask someone when its time to quit.
Jenna Glatzer is the editor-in-chief of Absolute Markets
& Absolute Write
She has written for hundreds of national and online
magazines, including Physical, Woman's World, Woman's
Own, Salon.com, and Contemporary Bride. She's a
contributing editor at Writer's Digest and her latest
book is MAKE A REAL LIVING AS A FREELANCE WRITER, which
you can find at www.jennaglatzer.com. Find out how to
get a FREE editors' cheat sheet with this book!
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